Sunday 20 April 2014

Existential

The Ganga Canal flows with more water. The lassi shop is still there but the lassi has become more costly.The grey hornbill is still hanging around the white cedar, not acknowledging that the winter is over and the fruits are finished. Flowers start blooming on the mango tree and the squirrels wait anxiously.

As I move my rose-tinted glasses with which I was looking for so many years I see that this is not the place I love. The vague thought of the extreme summer approaching fast discomforts me. I walk long distances to find a path forward and I see none.

I go and sit at the steps of Ganga Canal and the mosquitoes surround me.I go to the Solani aquaduct and the loneliness frightens me.I bargain with the book-seller for a copy of Faiz-Ahmed’s translated poetry and my Hindi fails.I walk through the narrow alleys and I feel it as an endless maze.

Man is condemned to be free and that freedom to make choices disconcerts me. For cities as well as men, existence precedes the essence. The essence of Roorkee’s existence has changed in course of time and so is it for most of the men.

Friday 10 January 2014

The Unaesthetic

At this place where six roads meet, there, in a triangular island with a dysfunctional fountain, Maharana Pratap Singh can be seen at an awkward angle, holding a spear or a staff almost vertical, looking neither towards Haridwar nor towards Delhi, seeing neither the Shatabdi Gate nor the Ganges Canal, pretending as if he is planning to charge towards crowd in the Civil Lines; but he is fooling you, I know, because he is only looking towards the royal palace and I have seen him drooling when the dinner is served there!

His Chetak is puny,it is unlikely that you may connect it to the steed you may have heard of, his legs are stodgy and hardly evoke the image of the valiant ruler of Mewar, rider of the blue horse.Curiously the closed concrete space where he rides his horse is named as a park, Maharana Pratap Singh Park.